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Rendering of Operations
In prior entries, the emphasis has fallen on what pathworking presents: the rendering of operations as images, architectures, presences, and recurrent motifs. The descriptive record remains intact. The present essay changes angle. Instead of foregrounding the visionary theatre, it addresses the mechanics beneath it: how operations behave, why they stall, why they open, what they tend to produce when they are genuine, and how noise can be distinguished from change.
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